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Communication Design

  • Department view
  • Student folios (A-Z)

Athanasios Romios

Georgina Favaloro

Leilani Krienke

Vivien Nguyen

Ashley Ng

Vanessa William

Ashleigh Squire

Jesse Greer

Xin Zi Hoo

Cailum Choi

Ciara Croft

Brandy Lau

Blue Bateman- Williamson

Dora Bebonis

Matthew Phillip

Hui Shan Ho

Jazmyn Maddern-Wellington

Yasmin Li

Ella Whitehead

Alanis Viera

Ashley Bell

Eloise Henderson

Tien Nguyen

Maddie Vincent Gilmartin

Cheryl Kau

Darren Buma

Jemma Young

Adam Yeo

Bianca Gjuric

Max Whiting

Shakira Simmons

Renee Sim

Georgia Back

Shelley Virduzzo

Jack Milligan

Connie Chin

Nichanon Thampramual

Lucas Pavlis

Isa Lim

Wendy Lay

Lisa Le Nguyen

Emma Facey

Kirsten Hart

Tara Knight

Chris Sanchez

Jing Wen Ng

Christopher Chan

Daniel Farhan Khairul Zamri

Chai Hoong Yong

Magenta Hornsey

Immanuel Martin

Grace Ting

Kimberley Sie Hui Jun

Molly Cunnane

Rebecca Smith

Megan Baines

Olivia Hockey

Congwen Zhou

Aaron Davis

Chai Jeffery

Kat Kopecka

Jason Chung

Elaine Yi Lian Yeo

Stephanie Mahon-Smith

Daniel Mastromihalis

Steffie Eddy

Shannon Bowkett

Jared Fowler

William Clark

Sarah Smedley

Erin Frakes

Tom Faska

Joo En Kok

Amelia Bursztynski

Bailey Wentworth

Lachlan Webb

Sophie Sfikas

Alessia Zuccala

Tyneesa Grant

Ellen Hetrelezis

Sarah Stansbie

Anna Afzal-Gould

Cameron Laing

Ulya Cheng

Seren Altiparmak

Sasha Kamel

Luka Dickson

Lauren Smith

Jia Jun Hong

Ruby Bergmeier

Keni Patel

Michelle Millers

Kylie Blumson

Rainnie Hsiao

Ashleigh Docking

Angelica Matarazzo

Venessa Kho

Amelia Vu

Despina Batsakis

Toneya Hurst

Rebecca Mok

Cassie Horne

Pranav Tamang

Angela Yong

Cindy Lo

Shicheng Huo

Ollie Rae

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.