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Communication Design

  • Department view
  • Student folios (A-Z)

Rebecca Smith

Cameron Laing

Jesse Greer

Sarah Smedley

Ollie Rae

Shakira Simmons

Erin Frakes

Cailum Choi

Vivien Nguyen

Sarah Stansbie

Despina Batsakis

Ella Whitehead

Chai Jeffery

Elaine Yi Lian Yeo

Cindy Lo

Jack Milligan

Wendy Lay

Shelley Virduzzo

Jing Wen Ng

Yasmin Li

Xin Zi Hoo

Georgina Favaloro

Aaron Davis

Seren Altiparmak

Congwen Zhou

Dora Bebonis

Chris Sanchez

Cheryl Kau

Luka Dickson

Tien Nguyen

Angelica Matarazzo

Magenta Hornsey

Lachlan Webb

Jia Jun Hong

Renee Sim

Rainnie Hsiao

Toneya Hurst

Cassie Horne

Lauren Smith

Rebecca Mok

Lisa Le Nguyen

Jason Chung

Sophie Sfikas

Joo En Kok

Adam Yeo

Grace Ting

Athanasios Romios

Jazmyn Maddern-Wellington

Amelia Bursztynski

Kat Kopecka

Eloise Henderson

Darren Buma

Connie Chin

Tyneesa Grant

Leilani Krienke

Lucas Pavlis

Brandy Lau

Stephanie Mahon-Smith

Amelia Vu

Immanuel Martin

Ashleigh Squire

Ulya Cheng

William Clark

Michelle Millers

Shicheng Huo

Kirsten Hart

Jared Fowler

Hui Shan Ho

Blue Bateman- Williamson

Venessa Kho

Max Whiting

Nichanon Thampramual

Pranav Tamang

Ashleigh Docking

Christopher Chan

Ruby Bergmeier

Emma Facey

Anna Afzal-Gould

Jemma Young

Alessia Zuccala

Vanessa William

Bianca Gjuric

Keni Patel

Isa Lim

Georgia Back

Ashley Bell

Alanis Viera

Ellen Hetrelezis

Shannon Bowkett

Daniel Mastromihalis

Tara Knight

Steffie Eddy

Tom Faska

Bailey Wentworth

Angela Yong

Molly Cunnane

Ashley Ng

Sasha Kamel

Chai Hoong Yong

Matthew Phillip

Kylie Blumson

Olivia Hockey

Daniel Farhan Khairul Zamri

Ciara Croft

Megan Baines

Maddie Vincent Gilmartin

Kimberley Sie Hui Jun

Communication Design

Swinburne’s Communication Design course has always been cutting edge, our graduates are global pioneers, and are concerned about how we design for the environment and for a changing climate.   

Building on the success of the Communication Design Major students can also undertake double degrees combining Design with Business or Media and Communication degrees. By building industry ready courses, we continue to enable our students to be the design leaders of today and tomorrow.

Completing my Bachelor of Design at Swinburne has given me a strong foundation of knowledge and valuable skills on best design practices, building my confidence to transition from study into the design industry. Studying has allowed me to discover new passions in the design field such as branding and identity, animation and typography.

Annie Pham Student Qualification: Bachelor of Design (Communication Design)

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Acknowledgements

  • Swinburne School of Design
    ©2025 | All Rights Reserved
  • Program Director: Christopher Waller
  • Website by PeptoLab

Acknowledgement of Country

The School of Design and Architecture respectfully acknowledges the Wurundjeri peoples of the Kulin Nation as the Traditional Owners and knowledge-keepers of the lands, waters and sky that surround us, where we work, learn, create, communicate and make place. We recognise that sovereignty has never been ceded and this always was and will always be Wurundjeri Country. We pay our respects to Elders past, present and to all Aboriginal and Torres Strait Islander people who continue to make a better world through design.

We extend our acknowledgement to the Aboriginal and Torres Strait Islander staff, students, alumni, real-life clients, and knowledge keepers, who have contributed to our own education diversity and growth. We will continue to ensure that staff and students respectfully honour ancestral connection to Country and Place in everything that they do.

We are dedicated to the notion of design to make a better world and we acknowledge that making tools, shaping place, sharing stories, making meaning, wayfinding and collaborating have long been and continue to be both central and integral to First Peoples' cultures. We recognize that Aboriginal and Torres Strait Islander Peoples’ cultural contributions have continued relevance to design practice and commit to: reconciling ancestries of design and contemporary practice as well as pursuing culturally and professionally appropriate ways to engage with a diverse population of colleagues, industries and clients. In a time of treaty-making and voice we understand that there are overlaps between caring for Country and the sustainable production of goods, services, experiences, products and buildings.

Guided by the principles of respect, reconciliation, and reciprocity we undertake to indigenising and decolonising design practice by dismantling colonial structures and challenging biases that have marginalised Indigenous voices and design.

As students of SoDA you will be given opportunities to both engage with and educate yourself in Indigenous creative practices and cultural protocols through a lens of inclusivity, diversity, respect, mutual understanding, inter-cultural dialogue in all aspects of design practice. Indigenous people have been telling stories, making tools, and connecting to Country through visual media, placemaking and place marking for more than 60,000 years and these practices are part of an ongoing, evolving and live tradition.